The paintings emerge from the domestic space. The paintings depicts the mundane, incidental objects accumulating around us, in which we recognize ourselves' objects which we nevertheless tend to disregard.
Their presence is examined as a matter and concept, as form and illusion, as sequence and fragment. The paintings are based on a gathering of object images that disrupt order and create a multiplicity of perspectives. The painting depicts the scene one moment after the event, an event whose nature is unclear.
In these paintings, the intimacy of the home's content, the space and objects , are extracted, cast out, becoming a landscape of ruins in which the most personal is signified as part of the events of history, major and minor alike.